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Senin, 14 Oktober 2013
Historics: SVRA to offer COTA orientation for 1st U.S. Vintage Racing National Championship
[Photo: SVRA will hold its first U.S. Vintage Racing National Championship at Circuit of the Americas in Austin, Texas October 25-27, 2013. Credit: COTA].
Ahead of its first national championship, the Sportscar Vintage Racing Association (SVRA) will offer coaching specialized to the country's purpose-built Formula 1 track at Circuit of the Americas in Austin, Texas. According to a press release issued Monday from SVRA, this instruction will be a featured part of the historic racing group's first SVRA U.S. Vintage Racing National Championship and will take place at the track on Wednesday, October 23, ahead of the race weekend of October 25-27.
CONTINUE READING HERE...........
Jumat, 11 Oktober 2013
Historics: 'Vintage Motorsport' to offer awards at 1st SVRA U.S. Vintage Racing National Championship at COTA
[Photos: Top -- Award. Credit: 'Vintage Motorsport' magazine. Bottom: SVRA logo. SVRA.com].
Vintage Motorsport magazine will sponsor five awards at the first SVRA U.S. Vintage Racing National Championship in Austin, Texas later this month, according to a release from the publication on Friday. "Vintage Motorsport" is the official magazine of SVRA.
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READ MORE AT Rochester Motorsports, Examiner.com, HERE.........
Kamis, 10 Oktober 2013
Historics: SVRA posts preliminary entry list for the U.S. Vintage National Championship at Circuit of the Americas, 2013
[Photo: SVRA Gold Helmet to be awarded to the winning racers at the U.S. Vintage Racing National Championship at Circuit of the Americas in 2013].
If you race historic or vintage race cars in the United States, or are an avid fan of historic cars or race events, you're probably aware that the Sportscar Vintage Racing Association (SVRA) is planning its first ever U.S. Vintage Racing National Championship at Circuit of the Americas in Austin, Texas later this month. Recently, SVRA posted a preliminary entry list for that event to its website. The championship takes place October 25-27.
READ MORE..........
Selasa, 08 Oktober 2013
Formula 1's Francois Cevert - 40 Years later at Watkins Glen
(Photo credit: Connie Ann Kirk)
(Photo credit: Unknown)
(Photo credit: Unknown)
As it turned out, I was at the track on the 40th anniversary anyway, but I had made a mental note of the date of Francois Cevert's death at Watkins Glen ever since I read about the accident in more detail in Sir Jackie Stewart's autobiography, Winning is Not Enough (Headline, 2010) in late 2012. I knew I'd want to find a way to be at my "home track" on the anniversary.
No one should have to give his/her life in chasing one's passion, I thought, but it happened so much more often in motor sports in those days. I was haunted by the idea that a sport I've been growing to enjoy watching and writing about more and more is also one for which people give their lives. What does it mean to keep participating in an activity that seems so dangerous (to the layperson, anyway, if not to the racers), I keep asking myself. Why not take up something that is challenging physically and mentally, that takes skill, but is not so costly both in terms of risk to life or limb or in simple, financial expense?
Well. For a new book I'm writing, I am still chasing down answers to those and other questions with racers.
On Sunday, though, a day that started out foggy and hazy and got unseasonably warm (into the 80s), my thoughts were about wanting to pay homage to someone I never knew but whose history had become an important part of my studies of the sport.
Watkins Glen is a track I go to often. The thought of someone dying there doing what I go there to watch is not a comfortable thought to have. Many people I talk to often were at the track that day in 1973. They talked to me about their memories. All were clearly still moved by the thought of that day's events, even though it was 40 years ago.
Most people I talked to on Sunday remembered that the French National Anthem was played after that morning's qualifying session, soon after the accident that, I was told, happened just before noon. That tribute was one way people around the track realized that the rumors of the severity of what may have happened at the esses were, sadly, true.
The drivers accelerate going up the hill at the esses after taking the 90-degree Turn 1 and right-hand sweep. What makes the esses so dangerous? Well, I'll have to find out more about that.
On Sunday, I wanted to find the closest spot possible, or the most appropriate place, to leave my little bouquet of 4 white roses and print-out photo of Mr. Cevert. Outside the protective fencing some distance away, I searched behind the blue Armco barrier at the esses for any "sign" that might still be there. Was there a difference in the fencing from when it had been repaired that might show from the back? Could I tell anything from the trees back there; there had been trees in the background of the horrific archival photo of the accident. Was it at that wooden post? Was it at that patch of fencing where the back of the Armco goes from blue to black?
There were differences in the fencing, but the differences occurred in more than one spot, and of course I had no idea about whether they were from that particular repair in 1973, or some other time. The trees there looked like they did in the picture from 40 years ago -- shouldn't they be bigger now, I wondered? I walked along the track back there for some distance, lost in thought. Should I leave my flowers outside the track, or inside? I walked back. I decided to leave them inside. Cevert was involved in racing as an insider. Even I, writing about the sport and studying it steadily for such a short time by comparison (but now even with media credentials to race events), could no longer call myself totally an outsider.
(Photo: Small tribute at the esses. Connie Ann Kirk.)
Later in the day, I spoke with a lifelong resident of Watkins Glen and racing enthusiast who works with the archives at the International Motor Racing Research Center in town. Independently, he had also brought flowers in tribute. Growing up in Watkins Glen, he and his brother had been to most if not all of the Formula 1 Grands Prix. His older brother was even a local "gofer" for the Stewart/Cevert Tyrrell team back then. Spare parts he had secured at the team's request were on the car, that car. The lifelong resident was kind enough to allow me to go with him to the spot as he remembered it. It was so long ago; he was a teenager then, but his memory seemed strong.
We scrutinized the track from the distance of the spectator area inside the circuit; we studied the Armco, the background. He searched his memory for the landmark he had in mind that was very specific as recently as 2 years ago when he was able to go on the track itself and show the spot to someone from Europe who had come so far, also wanting to find it. Finally, we settled on a spot at his recollection and laid them down. We lingered there, and talked.
Memories can be etched in such a way that they are forever altered. They may dim a bit; the details may get a little blurred around the edges, but the imprint lasts a lifetime. Francois Cevert clearly left an imprint on this sport and in the hearts and memories of those at the Glen that day. He meant a lot to those around the world who followed his racing career and had such high hopes for his future.
From what I have heard and read, he was loved at Watkins Glen and in so many other places, and by so many people. Locals still remember him fondly staying at the Glen Motor Inn where so many of the Grand Prix racers stayed back then, or playing the piano and laughing at the Seneca Lodge where they went to celebrate. I'm so sorry that this track where I now spend so much of my time was so cruel to him (even as it rewarded him for his efforts 2 years earlier with his first and last Formula 1 Grand Prix win). It has been a place of triumph and tragedy for other racers and their families, friends, and colleagues as well.
(Team-mates Francois Cevert and Jackie Stewart in happier days. Credit: Unknown).
Then a strange thing happened: There were amateur races (SCCA) taking place on Sunday. After I laid my flowers, I went back behind the Armco outside the track to think some more and see if my new insights from the kind Watkins Glen native were any more helpful in defining the spot from that side. While I was there, amazingly, a tire apparently broke loose from a race car and flew up high into the catch fencing way over my head, right there. Right then. In the esses. (The catch fencing, by the way, was not there 40 years ago).
To have that happen at that particular moment while I was still so lost in reverie about Cevert's accident, trying to see it in my mind at that very place, was strange indeed. It felt like an echo from the past, an acknowledgment from beyond. At one point, I wondered if my imagination had gone into overdrive so intensely that I'd fantasized the flying tire into being. I went back inside the track and saw a car stopped at the corner station; apparently, the driver was ok. But the danger -- it is still out there.
In watching the video below later on, I saw what looked like a tire flying away in the photograph of Cevert's Tyrrell race car back then, too. If that's true, perhaps this little coincidence of events was a small thank you from beyond, for going there to remember, for searching so hard to find the "exact spot." It seemed to confirm my efforts. Or, at least, my active writer's imagination likes to think of it that way.
In any case, continue to rest in peace, racer Francois Cevert. The motor sports community continues to remember, and those of us somewhat newer to the sport continue to learn about you and offer you and your colleagues our respect.
[Bottom photo above: Trees from perhaps the same cluster or "family" of trees to those shown in the top photo above, behind Cevert's accident).
(Above: Believed to be about here.
Note the Armco is now 3 layers high here instead of the 2 layers of 40 years ago)
(From behind the Armco -- now with catch fencing atop it).
In memorium: Here is some video footage from that day at the Formula 1 U.S. Grand Prix, Watkins Glen, NY - October 6, 1973 (Note: The link will take you away from this page to view the video on YouTube):
http://www.youtube.com/watch?v=i4bO74WE5Ak
Kamis, 19 September 2013
Why I hope Ron Howard's RUSH is a winner
Why I hope Ron Howard's RUSH is a winner....
It's not easy to be a Formula 1 fan living in the United States. It's currently NASCAR country here with a smattering of dedicated IndyCar fans. In this country, Formula 1 seems, in many ways, almost relegated to those who remember its heyday at Watkins Glen, the small town in upstate New York that hosted the world every crisp and colorful October for 20 years from 1961 to 1980.
Like soccer (the world's football), Formula 1 motor racing is a sport that is wildly popular around the rest of the world but not so much here. It's difficult (but getting a bit easier) to find Formula 1 on television. For quite some time before 2012 there was no track dedicated to the sport in this country (now Circuit of the Americas exists in Austin, Texas and hosted its first U.S. Grand Prix in November of 2012). After the Glen, races had been tried at Indianapolis, Las Vegas, and other places, but nothing stuck. One hopes that Austin may help change that, at least for awhile.
The guru of Formula 1, Bernie Ecclestone, seems to be open to deals then lay in wait for them to fall through, at least according to the popular motor sports press. A promised race in New Jersey, a street race planned against the backdrop of the Manhattan skyline, would do much for the sport in this country if held in that media mecca. However, the on-again, off-again stories keep coming, and one wonders if it will happen or not. Still, one recalls the same stories circulating in the lead-up to COTA, and that race eventually ran with much applause from both the drivers and the fans.
Popularity among the American public is moved collectively by many things, but certainly the entertainment industry and the media wield big influences in a country that is as large geographically and as diverse demographically as ours. A hit movie with a popular and award-winning director gets talked about for months before it opens, then gets talked about in reviews and talked about again after it is reviewed. The build-up to an opening includes people talking their way to a decision about whether or not to spend part of their paychecks on a night out at the cinema when they could view any number of other things that evening that they have already paid for with their various cable, Internet, and/or Netflix subscriptions.
A hit movie brings people out. People out share a collective experience they don't get at home in front of their big-screen TVs or computer screens. It's a 'happening' then, and one they go to work on Monday morning and talk about with their friends and colleagues. Multiply that effect in community by community, region by region, and state by state, and you get the idea. Word of mouth is probably the best way to market a movie -- or, one might argue, a sport -- to those who are unfamiliar with it.
So, my hopes are high for RUSH. I want it to be a hit for whatever reason it becomes popular (I don't care, e.g., if Chris Hemsworth brings people to the theater who have no interest in cars or racing and would not otherwise be there). Because then more of my fellow Americans will know what Formula 1 racing is -- that it is NOT NASCAR (for good or for bad, depending on how you feel about that series of motor sports) -- and that it has a history that is as fascinating and compelling as it is puzzling for the layperson who has never stepped foot inside a race car of any vintage or who has never put money down to watch a race live and in person.
Among many other factors, the documentary film, SENNA, contributed to cementing my own commitment to studying Formula 1, historic racing, and motor racing in general for my next book. There's just something more to this sport -- something deeper in the human experience that it expresses -- than one might first imagine. I hope RUSH helps raise awareness, excitement, and curiosity about the second-highest watched sport around the world (behind soccer) in this country. Selfishly, I hope it's a winner, if for no other reason, so that I don't have to begin every conversation about my work with a fellow American (even fellow Ph.D.s who study sports!) by explaining what Formula 1 racing is, and why I believe it's worth so much of my time, and is perhaps also deserving of their attention.
So, let's take a look at RUSH, America. I don't know yet if it will flip or flop. It's not a documentary, and it's not an art film, but if you feel any of the excitement, bewilderment, or pathos from the sport -- or curiosity about its history -- from watching the movie as I have so far from my studies, then perhaps you'll be rewarded with an experience that rushes past your expectations. And wouldn't that be, well, just plain cool?
I look forward to hearing your impressions if you do go see the movie, and I'll be sure to share mine, too!
Selasa, 03 September 2013
Lime Rock Park Historic Festival 31 -- 2013: race results, car show awards, etc.
[Lime Rock Park tower. Credit: Connie Ann Kirk.].
Just got back from Lime Rock Park's Historic Festival 31, the 2013 edition of their annual historic races and car show.
Wrote an article each day, back in the hotel after activities for each day were finished (well, finished the last article on Tuesday, since I had to drive back to New York Labor Day night).
Here are the links:
Saturday: Historics: Lime Rock Park Festival 31 puts on 20 races, escapes rain
Sunday: Historics: Lime Rock Park Historic 31 showcases cars, history
Monday: Lime Rock Historic 31: Collier Ferrari takes 'Best of Show,' race results
Threatening rain held off but for a few minutes mid-day on Sunday and a longer, more virulent stretch Monday morning; however, Lime Rock still managed to put on 40 races throughout the weekend, involving 10 groups of cars (these, after practice and qualifying sessions as well). It also had its annual Concours d'Elegance with the finest collection of cars on display ever, according to LRP officials. There were certainly several rare vehicles in attendance.
Another fun event and good weekend. Appreciated the free beverages in the Media Center, and the well, park-like atmosphere is a pleasant way to experience a racetrack. No grandstands -- you bring a lawn chair, picnic, and watch races from the slope of a hillside! :)
As they say over there at the Northwest Connecticut Berkshires track, "Think fast!"
Jumat, 02 Agustus 2013
Simeone Foundation Automotive Museum: First Visit & Demonstration Day
[Photos: Top -- Dr. Fred Simeone speaks to the audience gathered for the Demonstration Day, July 27, 2013; 2nd -- Volunteer driving Simeone's 1954 Ferrari 375MM; 3rd -- Simeone driving his 1953 Jaguar C-Type; Bottom -- the 1953 Cunningham C4R in the collection. Photo credit: Connie Ann Kirk.].
Recently visited the Simeone Foundation Automotive Museum in Philadelphia for the first time. I rode on a bus trip sponsored by the International Motor Racing Research Center in Watkins Glen and wrote about the trip for my Rochester Motorsports page on Examiner.com.
I had never visited a car museum before. Dr. Simeone maintains that cars (certain "historically significant" automobiles, at least) should be regarded -- and treated, apparently -- as works of art. His museum contains 65 automobiles that he has collected over several decades.
I am more of a racer fan than a car fan, I have to admit. I like certain cars better than others (tend to favor open-wheel race cars over closed-wheel, e.g.), but it's racers who really intrigue me about motorsports the most. Still, the day was educational, to be sure, and Dr. Simeone was a good host to the Watkins Glen bus group that day, who had traveled so far to see his collection and the demonstration of 4 of the cars.
Read the article about the day HERE.
In the sense of a marriage between design and function, etc. I can see the automobile having artistic qualities, certainly. But a full-fledged work of art? I'm not closed-minded against the idea, but I'm not sure I buy the concept, quite yet, either. Does an object made for a specific, useful function -- and not art for art's sake, as it were -- deserve the same sort of consideration as fine art -- a painting or sculpture, e.g.? Hmm. Still thinking about that.
Certain automobiles are a thing of beauty, to be sure. And these can be defined in the eyes of the beholder. The curves, color, gleam, shine, length, height, shape, etc. can be aesthetically pleasing. Some cars can make your pulse jump (if you're at all a fan, I suppose!). Do they make you *think* like a painting or a sculpture does, though? Do they invite you in to dream and put yourself in the picture (car?), relate what you see to your own experience of the world, etc. They can certainly expand your world view, I believe, enhance your knowledge and understanding. And what about the car's history -- competing in or winning key races around the world? What effect does that have on the "art" of that particular car, if any? Hmm....must think more on all of this! Ha.
While I was there, I purchased the book, The Stewardship of Historically Important Automobiles, produced by the museum. Information about the book says it argues a preference for preservation over restoration in automobiles. Perhaps some of the essays included there will offer more food for thought on the above questions as well.
[Muse: What do you think, dear reader? Should automobiles be regarded as works of art, like paintings and sculpture? Why or why not? If you think so, should they be preserved and kept on exhibit in public museums and not driven; exhibited but driven occasionally for demonstration purposes; or kept on the road or at tracks, driving to their limits in their "normal" lives as a car until they face a "natural" death? What do you think?].
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